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Home › News & Events › Events › Music + Festival 2020 – Symposium

Music + Festival 2020 – Symposium

Faculty Artists, Guest Artists Saturday October 10, 2020 - 2:30p.m. to 4:00p.m.

Venue: Virtual Event

Music + Festival 2020: Gershwin, Reich, Bolcom
Festival director: Daniel Asia
Guest artists: Jeremy Huw Williams, baritone; Paula Fan, piano
October 9-12, 2020

The Thirteenth Annual Music+Festival will present the music of George Gershwin (1898-1937), Steve Reich (b. 1936), and William Bolcom (b. 1938), and includes a symposium, three concerts, a presentation, and a film. The festival will feature guest speakers, performers and composer, as well as distinguished UA faculty and students.

All events will be online, free admission and open to the public.

To link to the event, please click on the red text below:

 

 

 

Symposium:
Saturday, October 10, 2:30-4:00 p.m. (PDT)
The Music of George Gershwin, Steve Reich and William Bolcom
William Bolcom; Russell Hartenberger; Joseph Horowitz, presenters

Concert I:
Saturday, October 10, 5:00-6:00 p.m. (PDT)
Chamber Music and Song of Gershwin, Reich and Bolcom
Kristin Dauphinais, mezzo-soprano; Paula Fan, piano; Morris Palter, percussion
Timothy Kantor, violin; Elena Miraztchiyska, piano

Concert II:
Sunday, October 11, 3:00 p.m. (PDT)
Piano Music of Gershwin, Reich and Bolcom
Michael Dauphinais; Daniel Linder, piano

Concert III:
Sunday, October 11, 5:00 p.m. (PDT)
Songs of Gershwin and Bolcom – Jeremy Huw Willliams, baritone; Paula Fan, piano

Presentation:
Monday, October 12, 5:00-6:00 p.m. (PDT)
Fred Fox School of Music Visiting Composers Series: William Bolcom, presenter

 

The Music+Festival is made possible with the support of:

The Apgar Foundation; The Lynde and Harry Bradley Foundation; The Sarah Scaife Foundation; Subaru of Tucson; Drs. Fran and Tim Orrok; Harvey Motulsky and Lisa Norton; I. Michael and Beth Kasser; Norman and Cassie Rogers; Mesch Clark and Rothschild; HBL CPAs; Jim Click Automotive Group, Classical 90.5 / Arizona Public Media; and the American Culture and Ideas Initiative.

 

 

Contact for more information:
Prof. Daniel Asia, asia@email.arizona.edu, 520-203-1660
Ingvi Kallen, ingvi@email.arizona.edu, 520-626-6320

 

Message from Festival Director, Daniel Asia:

“Dear Friends,

The 2020 Music+Festival: George Gershwin, Steve Reich, and William Bolcom will present the lives and music of these three composers within a rich and broad humanistic framework.

The festival consists of a film about Gershwin, a symposium providing the historical and artistic context in which the three composers lived and live, as well as what to listen for in this music; three concerts: one chamber music and song, one all-piano, and another all song; and finally and new for our festival format, a presentation by our visiting composer. The festival features faculty members and students of the Fred Fox School of Music, as well as guest artists, scholars, and performers.

The three composers in this festival have one great commonality: they all, in their own way, bridge the worlds of classical music and vernacular, or popular, music. Barriers are broken down, and the vista of what classical music can be, is vastly widened.

George Gershwin, born and bred in New York City, was a musical prodigy just waiting to happen. His parents, Russian Jews who immigrated to this country at the end of the 19th century, bought a piano for George’s older brother, Ira, to learn to play. But when George sat down at the keyboard and knocked out a tune that he had only heard at someone’s house, the lessons were given to George instead. He studied piano and then composition from a young age, and even after dropping out of high school at age 15 to go write songs on Tin Pan Alley. His career straddled both sides of the musical tracks, writing songs, musicals, and then works for the concert stage that combined both jazz and classical, what was to be labeled third stream music a few decades later. He and his music were beloved by the classical musical giants of his age, including Heifetz, Klemperer and Schoenberg, and by many songwriters he was considered simply the best. He is a towering historical figure in the history of early American music, to be placed right up there with Ives and Copland, who unfortunately died tragically young.

Steve Reich was born into a Jewish family in New York City, his father a lawyer and his mother a songwriter. He studied and played percussion as a youth and was influenced not just by classical music but also by the burgeoning worlds of popular and jazz music. After studies at Cornell, primarily in philosophy, he attended Juilliard, and then Mills College where he studied with Milhaud and Berio. He remained in the Bay Area for a number of years, playing in the first performance of the seminal Minimalist work of Terry Riley, In C, and creating his early tape works using the technique of phasing. Moving back to New York, where he has remained for his entire life, he began to write for acoustic instruments. His musical interests grew to include African drumming, Gamelan, and Hebrew cantillation. His latter highly structured works also include his interest in American speech, primarily through sampling, found street sounds, and a greater opening up to composers of the 20th century classical tradition. Among the first generation of minimalists, including Young, Riley and Glass, his output and musical journey is the most hermetic and hard-edged, a music of shimmering beauty and restrained ecstasy.

William Bolcom grew up in Seattle and attended the University of Washington starting at age 11 – another prodigy – where he studied composition and piano. And then like Reich, he studied at Mills with Darius Milhaud, then at Stanford University, and finally with Olivier Messiaen at the Paris Conservatory. His earlier music is perhaps influenced by Harris and Bartok, and then composers of the European Avant-garde, including Boulez, Stockhausen and Berio. But then his style opened up to history and the American vernacular. He was part of the ragtime revival of the ’70s, has written cabaret songs that he and his wife, the singer Joan Morris, perform in concert, and his musical language stretches wide. His “Songs of Experience,” on the eponymous book of poems by William Blake, is set for gargantuan forces and speaks in many languages of music, including classical, pop, country, jazz etc. His is a music of the greatest eclecticism and stylistic diversity. It is a music of wide emotional expression that includes levity, humor and grace.

We are pleased and delighted that you are here to participate in this wonderful festival!”

– Daniel Asia, Music+Festival Director, 2020

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The University of Arizona Fred Fox School of Music

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The University of Arizona Fred Fox School of Music

Friday Night at Fred Fox is LIVE on YouTube!
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I don't listen to enough percussion music, this was amazing!

Mesmerizing performance! Congratulations to UARIZONA Percussion and Morris Palter!

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River Town Duo releases a debut album featuring original works by six contemporary composers Including pulitzer prize-winning Caroline Shaw.

River Town Duo features Philip Alejo (double bass) and Claire Happel Ashe (harp). Bassist Philip Alejo currently teaches at University of Arizona in Tucson (Associate Professor of Music, Double Bass).

Online Streaming:

Composers: Caroline Shaw (b.1982), Whitney Ashe (b.1971), Derick Evans (b.1991), Hannah Lash (b.1981), Evan Premo (b.1985), Stephen Andrew Taylor (b.1965)

Works: 1. "For Claire & Philip" (2014) by Caroline Shaw, 2. "The Circuitous Six" (2016) by Whitney Ashe, 3. "On Lotusland" (2015) by Derick Evans, 4-5. "Leaves, Space" (2015) by Hannah Lash, 6-7. "Two Meditations on Poems of Mary Oliver" (2017) by Evan Premo, 8-12. "Oxygen" (2017) by Stephen Andrew Taylor

About River Town Duo
Founded in 2012, River Town Duo has presented dozens of recitals at venues including the University of Arizona, University of Illinois, Avaloch Farm Music Institute, Mackinac Island Music Festival, University of Notre Dame, and the University of Wisconsin, among others. River Town Duo has also performed recitals as invited artists at the International Society of Bassists Convention and the American Harp Society Summer Institute. Although there are only a handful of double bass and harp duos in the world, over 20 composers have written works for this instrumentation. River Town Duo is committed to commissioning new works from influential composers and adding to the growing repertoire of pieces for double bass and harp. River Town Duo comprises double bassist Philip Alejo and harpist Claire Happel Ashe.

Philip Alejo is the Associate Professor of Music, Double Bass at the University of Arizona and Artist Faculty at the Bay View Music Festival. Previously he served as Associate Principal Bass of the Quad City Symphony and Visiting Professor of Bass at the University of Michigan. A former member of the Chicago Civic Orchestra, Philip has additionally performed with the Tucson Symphony, Arizona Opera, Ensemble Dal Niente, Flint Symphony, and Ann Arbor Symphony. His numerous music festivals and residencies include Spoleto Festival USA, Lucerne Festival, Swannanoa Chamber Music Festival, Mackinac Island Music Festival, Oaxaca Instrumenta, Aldeburgh Festival, Tucson Winter Chamber Music Festival, Pacific Music Festival, and Aspen Music Festival. Philip teaches at the Arizona ASTA Bass Jams and the Richard Davis Bass Conference at the University of Wisconsin. He was recently named Guest Professor at the Wuhan Conservatory of Music and MusAid Teaching Artist at El Sistema, El Salvador. Philip holds degrees from Oberlin College (BA, BM), Yale University (MM), and the University of Michigan (DMA), where his principal teachers included Diana Gannett, Donald Palma, Peter Dominguez, and Thomas Sperl.

Claire Happel Ashe is a versatile performer known for integrating diverse aspects of movement and music. As a harpist, she has appeared with the St. Louis Symphony Orchestra, Milwaukee Symphony Orchestra, Orquesta Sinfónica Nacional of the Dominican Republic, and the Newberry Consort among many other ensembles. She regularly collaborates in chamber music performances with oboist Karisa Werdon (Immer Neu), and guitarist James Moore and mandolin player Jeremy Harting (Noble Fowl Trio). An advocate of new music, she has performed with contemporary ensembles such as the Chicago Composers Orchestra, International Ensemble Modern Academy, and the Pulitzer Series of St. Louis, and commissioned new works with grants from the Urbana Public Arts Program, City of Chicago Cultural Affairs, American Harp Society, and the Illinois Arts Council. In the summers, she has performed at the Midwest Harp Festival, American Harp Society Conferences and Institutes in Chicago, Logan (UT), and Tacoma (WA), and presented at the World Harp Congress in Dublin and Alexander Technique Congress in Chicago. In addition to performances on the modern pedal harp, Claire has performed on the Baroque triple harp since 2016 mentored by artists such as Cheryl Ann Fulton, Charlotte Mattax Moersch, and Christa Patton at the Madison Early Music Festival and Queens College Early Opera Workshop. She holds degrees in music performance from Yale University and the University of Illinois, where she also received a BFA in Dance, and was a 2007-08 Fulbright Scholar in Prague. She has served on the faculty of the University of Notre Dame, Saint Mary’s College, Illinois Summer Youth Music, and Blue Lake Fine Arts Camp, and as a teaching assistant at Yale University, the University of Illinois, and the Music in the Mountains Festival. She currently teaches harp, Alexander Technique, and movement at the Music Institute of Chicago, Valparaiso University, Olivet Nazarene University, and the James Hart Harp Program in the Homewood Public Schools.
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The University of Arizona Fred Fox School of Music

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The University of Arizona Fred Fox School of Music

Tune in on Friday nights at 7:00 p.m. for livestream performances


Subscribe to the Fred Fox School of Music YouTube Channel


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The University of Arizona Fred Fox School of Music

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The University of Arizona Fred Fox School of Music

Registration is now open for UArizona Virtual Clarinet Day! Mark your calendars for Jan. 17, 2021 and join us for this free event! ... See MoreSee Less

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The University of Arizona Fred Fox School of Music

1 week ago

The University of Arizona Fred Fox School of Music

Congratulations to DMA candidate Erik Peregrine!

https://facebook.com/UAChoirs/photos/…
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Congratulations, Erik! We are so proud of you!!

The University of Arizona Fred Fox School of Music

1 week ago

The University of Arizona Fred Fox School of Music

Tucson Bass Jam
Virtual Event (Zoom)
Sunday, January 17, 2021
1:00-5:00 p.m.
Free Admission

The Tucson Bass Jam is an ASTA and University of Arizona sponsored virtual clinic on Zoom for beginning, intermediate, and advanced double bass students, music educators, and community bass players of any age from Southern Arizona.

Faculty Director:
Philip Alejo, The University of Arizona

Guest Artists:
Issac Trapkus, New York Philharmonic
Juan J. García Jiménez, National Autonomous University of Mexico, CEPROMUSIC

Registration and Fees:
Tucson Bass Jam will be free of charge in 2021.

Registration: Participants should contact Philip Alejo (palejo@email.arizona.edu) to register. A Zoom link and entry code will be sent to every registered participant prior to the event. Registration on the day of the event will be possible, but not recommended. Any high school student interested in playing their regional excerpts for Isaac Trapkus should also contact Philip Alejo.

Schedule of Events:
Sunday, January 17, 2021
1:00-5:00 p.m.

1:00 - 1:15 p.m.
Welcome and introductions

1:20 - 2:00 p.m. Warm-ups with Philip Alejo (beginner/intermediate) and Juan García (advanced)

2:00 - 2:50 p.m.
New and experimental music with Juan García

3:00 - 3:55 p.m.
Masterclass on regional excerpts with Isaac Trapkus

4:00 - 5:00 p.m.
Masterclass for UA students with Isaac Trapkus

Guest Artist Biographies

Bassist Isaac Trapkus joined the New York Philharmonic in November 2016. Before joining the Philharmonic he was a member of the Detroit Symphony Orchestra and, before that, principal double bass of the New Haven Symphony while he was studying with Leigh Mesh, associate principal bass of The Metropolitan Opera Orchestra.

Mr. Trapkus is a product of Iowa’s public school music program and began his bass studies with Linda Gannett of Davenport, Iowa. He received a bachelor’s degree from the University of Michigan, where he studied with Diana Gannett, and a master’s degree from The Juilliard School, where he studied with former New York Philharmonic Principal Bass Eugene Levinson. At Michigan, Isaac Trapkus became the first bassist in 30 years to win the school’s concerto competition, for which he performed Tubin’s Bass Concerto. He also won Juilliard’s bass concerto competition, performing Vanhal’s Bass Concerto. During his study he performed with the New York String Orchestra Seminar and the Schleswig-Holstein Musik Festival in Germany. Mr. Trapkus volunteers as a designer and administrator with IMSLP, the online sheet music library.

Juan J. García Jiménez is a musician specializing in contemporary music and improvisation, who lives and works in Mexico City. Since 2012, he is a member of the ensemble at the Center for Experimentation and Production of Contemporary Music (CEPROMUSIC) and since 2018 is part of the faculty at the Music School of the National Autonomous University of Mexico, and the School of Art of Yucatán (ESAY). He has collaborated with orchestras and chamber ensembles internationally and has also developed a career in improvised and experimental music, collaborating since 2001 with iconic characters in the development of contemporary music. His practice stems from studies and practices within the musical tradition combined with a broad foray into new music, prominently in sonic explorations and experimentations. He has also developed innovative teaching techniques that have led him to mix traditional and experimental musical ideas and practices within the classroom.

García studied double bass at the University of Houston under the tutelage of Dennis Whittaker and earned a master's degree at Arizona State University under Catalin Rotaru in 2008. Since then he has fully devoted himself to teaching, performing, and disseminating new music, premiering hundreds of works by composers from around the world with the CEPROMUSIC Ensemble, Liminar Ensemble, and the Low Frequency Trio. Important performances include concerts at the Huddersfield Contemporary Music Festival (UK), The Darmstadt Summer Festival (Germany), No Idea Festival (Austin), the Tate Modern (UK), and the Rothko Chapel (Houston).
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