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Home › News & Events › Events › Music + Festival 2018 – Concert V: Chamber Music

Music + Festival 2018 – Concert V: Chamber Music

Faculty Artists, Guest Artists, Small Ensembles, UA Presents Sunday October 14, 2018 - 1:00p.m. to 3:00p.m.

Venue: Holsclaw Hall, 1017 N Olive Rd, Tucson, AZ 85721-0004

Concert V: Chamber Music

Timothy Kantor, violin; Tomasz Pajak, violin; Edward Goodman, saxophone; Theodore Buchholz, cello; Jacob Ginn, cello; Diana Yusupov, cello

October 14, Sunday, 1:00 p.m., Holsclaw Hall, $Free

The eleventh annual Music + Festival will present the music of Claude Debussy, in commemoration of the 100th year since his death, and Daniel Asia, in honor of his 65th birthday and thirty years in residence at the University of Arizona’s Fred Fox School of Music. The festival will include a major conference, a symposium and seven concerts. In an expanded form, this year’s festival takes place over a full week while still being centered on the weekend. The festival will feature guest speakers and performers, as well as distinguished UA faculty, students and ensembles.


Concert I: The Amernet String Quartet

Misha Vitenson, Franz Felkl, Michael Klotz, Jason Calloway

October 10, Wednesday, 7:00 p.m., Holsclaw Hall, $10, 7, 5

 

Conference: Debussy and Asia

Presenters: Roy Howat, Jan Swafford, Marianne Wheeldon, Boyd Pomeroy, Matthew Mugmon, Daniel Asia

October 12, Friday, 9:30 a.m.-12:00 p.m. & 1:30-5:00 p.m., $Free

 

Concert II: The Piano Music of Daniel Asia

Tannis Gibson, piano; Dana Muller & Gary Steigerwalt, piano four-hands

October 12, Friday, 7:00 p.m., Holsclaw, $Free

 

Symposium: The Music of Claude Debussy and Daniel Asia

Presenters: Jan Swafford, Boyd Pomeroy, Daniel Asia, Marianne Wheeldon

October 13, Saturday, 1:30 p.m., Room 146, $Free

 

Concert III: Chamber Music

Arizona Wind Quintet; Flutefinity; Brian Luce, flute; Michelle Gott, harp; Jackie Glazier, clarinet; Tiezheng Shen, viola; Michael Dauphinais, piano

October 13, Saturday, 4:00 p.m., Holsclaw Hall, $Free

 

Concert IV: The Piano Music of Claude Debussy

Roy Howat, piano

October 13, Saturday, 7:30 p.m., Crowder Hall, $Free

 

Concert V: Chamber Music

Timothy Kantor, violin; Tomasz Pajak, violin; Edward Goodman, saxophone; Theodore Buchholz, cello; Jacob Ginn, cello; Diana Yusupov, cello

October 14, Sunday, 1:00 p.m., Holsclaw Hall, $Free

 

Concert VI: Ensembles

Arizona Symphony Orchestra; UA Wind Ensemble; UA Symphonic Choir

October 14, Sunday, 4:30 p.m., Crowder Hall, $10, 7, 5

 

Concert VII: In memoriam Paul Pines – The Poetry of Paul Pines set by Daniel Asia

Robert Swensen, tenor; Tannis Gibson, piano; Daniel Asia, reader; Charlotte Pines, reader

October 16, Tuesday, 7:00 p.m., Holsclaw Hall, $Free

 

The Music + Festival is made possible by the support of The Apgar Foundation; The Lynde and Harry Bradley Foundation; The Sarah Scaife Foundation; Tucson Subaru; Marriott Tucson University Park; Drs. Fran and Tim Orrok; Wesley Green; Harvey Motulsky and Lisa Norton; I. Michael and Beth Kasser; Mesch Clark and Rothschild; Jim Click Automotive Group; Sidney Lissner; Classical 90.5 FM /Arizona Public Media; KVOI 1030 AM “The Voice” Radio; The Arizona Daily Star; HBL CPAs;  UA Poetry Center; UA French Department, College of Fine Arts Bank One Visiting Artist Professorship Awards; American Culture and Ideas Initiative.

 

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The University of Arizona Fred Fox School of Music

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The University of Arizona Fred Fox School of Music

Friday Night at Fred Fox is LIVE on YouTube!
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I don't listen to enough percussion music, this was amazing!

Mesmerizing performance! Congratulations to UARIZONA Percussion and Morris Palter!

The University of Arizona Fred Fox School of Music

1 day ago

The University of Arizona Fred Fox School of Music

River Town Duo releases a debut album featuring original works by six contemporary composers Including pulitzer prize-winning Caroline Shaw.

River Town Duo features Philip Alejo (double bass) and Claire Happel Ashe (harp). Bassist Philip Alejo currently teaches at University of Arizona in Tucson (Associate Professor of Music, Double Bass).

Online Streaming:

Composers: Caroline Shaw (b.1982), Whitney Ashe (b.1971), Derick Evans (b.1991), Hannah Lash (b.1981), Evan Premo (b.1985), Stephen Andrew Taylor (b.1965)

Works: 1. "For Claire & Philip" (2014) by Caroline Shaw, 2. "The Circuitous Six" (2016) by Whitney Ashe, 3. "On Lotusland" (2015) by Derick Evans, 4-5. "Leaves, Space" (2015) by Hannah Lash, 6-7. "Two Meditations on Poems of Mary Oliver" (2017) by Evan Premo, 8-12. "Oxygen" (2017) by Stephen Andrew Taylor

About River Town Duo
Founded in 2012, River Town Duo has presented dozens of recitals at venues including the University of Arizona, University of Illinois, Avaloch Farm Music Institute, Mackinac Island Music Festival, University of Notre Dame, and the University of Wisconsin, among others. River Town Duo has also performed recitals as invited artists at the International Society of Bassists Convention and the American Harp Society Summer Institute. Although there are only a handful of double bass and harp duos in the world, over 20 composers have written works for this instrumentation. River Town Duo is committed to commissioning new works from influential composers and adding to the growing repertoire of pieces for double bass and harp. River Town Duo comprises double bassist Philip Alejo and harpist Claire Happel Ashe.

Philip Alejo is the Associate Professor of Music, Double Bass at the University of Arizona and Artist Faculty at the Bay View Music Festival. Previously he served as Associate Principal Bass of the Quad City Symphony and Visiting Professor of Bass at the University of Michigan. A former member of the Chicago Civic Orchestra, Philip has additionally performed with the Tucson Symphony, Arizona Opera, Ensemble Dal Niente, Flint Symphony, and Ann Arbor Symphony. His numerous music festivals and residencies include Spoleto Festival USA, Lucerne Festival, Swannanoa Chamber Music Festival, Mackinac Island Music Festival, Oaxaca Instrumenta, Aldeburgh Festival, Tucson Winter Chamber Music Festival, Pacific Music Festival, and Aspen Music Festival. Philip teaches at the Arizona ASTA Bass Jams and the Richard Davis Bass Conference at the University of Wisconsin. He was recently named Guest Professor at the Wuhan Conservatory of Music and MusAid Teaching Artist at El Sistema, El Salvador. Philip holds degrees from Oberlin College (BA, BM), Yale University (MM), and the University of Michigan (DMA), where his principal teachers included Diana Gannett, Donald Palma, Peter Dominguez, and Thomas Sperl.

Claire Happel Ashe is a versatile performer known for integrating diverse aspects of movement and music. As a harpist, she has appeared with the St. Louis Symphony Orchestra, Milwaukee Symphony Orchestra, Orquesta Sinfónica Nacional of the Dominican Republic, and the Newberry Consort among many other ensembles. She regularly collaborates in chamber music performances with oboist Karisa Werdon (Immer Neu), and guitarist James Moore and mandolin player Jeremy Harting (Noble Fowl Trio). An advocate of new music, she has performed with contemporary ensembles such as the Chicago Composers Orchestra, International Ensemble Modern Academy, and the Pulitzer Series of St. Louis, and commissioned new works with grants from the Urbana Public Arts Program, City of Chicago Cultural Affairs, American Harp Society, and the Illinois Arts Council. In the summers, she has performed at the Midwest Harp Festival, American Harp Society Conferences and Institutes in Chicago, Logan (UT), and Tacoma (WA), and presented at the World Harp Congress in Dublin and Alexander Technique Congress in Chicago. In addition to performances on the modern pedal harp, Claire has performed on the Baroque triple harp since 2016 mentored by artists such as Cheryl Ann Fulton, Charlotte Mattax Moersch, and Christa Patton at the Madison Early Music Festival and Queens College Early Opera Workshop. She holds degrees in music performance from Yale University and the University of Illinois, where she also received a BFA in Dance, and was a 2007-08 Fulbright Scholar in Prague. She has served on the faculty of the University of Notre Dame, Saint Mary’s College, Illinois Summer Youth Music, and Blue Lake Fine Arts Camp, and as a teaching assistant at Yale University, the University of Illinois, and the Music in the Mountains Festival. She currently teaches harp, Alexander Technique, and movement at the Music Institute of Chicago, Valparaiso University, Olivet Nazarene University, and the James Hart Harp Program in the Homewood Public Schools.
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The University of Arizona Fred Fox School of Music

4 days ago

The University of Arizona Fred Fox School of Music

Tune in on Friday nights at 7:00 p.m. for livestream performances


Subscribe to the Fred Fox School of Music YouTube Channel


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The University of Arizona Fred Fox School of Music

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The University of Arizona Fred Fox School of Music

Registration is now open for UArizona Virtual Clarinet Day! Mark your calendars for Jan. 17, 2021 and join us for this free event! ... See MoreSee Less

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The University of Arizona Fred Fox School of Music

1 week ago

The University of Arizona Fred Fox School of Music

Congratulations to DMA candidate Erik Peregrine!

https://facebook.com/UAChoirs/photos/…
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Congratulations, Erik! We are so proud of you!!

The University of Arizona Fred Fox School of Music

1 week ago

The University of Arizona Fred Fox School of Music

Tucson Bass Jam
Virtual Event (Zoom)
Sunday, January 17, 2021
1:00-5:00 p.m.
Free Admission

The Tucson Bass Jam is an ASTA and University of Arizona sponsored virtual clinic on Zoom for beginning, intermediate, and advanced double bass students, music educators, and community bass players of any age from Southern Arizona.

Faculty Director:
Philip Alejo, The University of Arizona

Guest Artists:
Issac Trapkus, New York Philharmonic
Juan J. García Jiménez, National Autonomous University of Mexico, CEPROMUSIC

Registration and Fees:
Tucson Bass Jam will be free of charge in 2021.

Registration: Participants should contact Philip Alejo (palejo@email.arizona.edu) to register. A Zoom link and entry code will be sent to every registered participant prior to the event. Registration on the day of the event will be possible, but not recommended. Any high school student interested in playing their regional excerpts for Isaac Trapkus should also contact Philip Alejo.

Schedule of Events:
Sunday, January 17, 2021
1:00-5:00 p.m.

1:00 - 1:15 p.m.
Welcome and introductions

1:20 - 2:00 p.m. Warm-ups with Philip Alejo (beginner/intermediate) and Juan García (advanced)

2:00 - 2:50 p.m.
New and experimental music with Juan García

3:00 - 3:55 p.m.
Masterclass on regional excerpts with Isaac Trapkus

4:00 - 5:00 p.m.
Masterclass for UA students with Isaac Trapkus

Guest Artist Biographies

Bassist Isaac Trapkus joined the New York Philharmonic in November 2016. Before joining the Philharmonic he was a member of the Detroit Symphony Orchestra and, before that, principal double bass of the New Haven Symphony while he was studying with Leigh Mesh, associate principal bass of The Metropolitan Opera Orchestra.

Mr. Trapkus is a product of Iowa’s public school music program and began his bass studies with Linda Gannett of Davenport, Iowa. He received a bachelor’s degree from the University of Michigan, where he studied with Diana Gannett, and a master’s degree from The Juilliard School, where he studied with former New York Philharmonic Principal Bass Eugene Levinson. At Michigan, Isaac Trapkus became the first bassist in 30 years to win the school’s concerto competition, for which he performed Tubin’s Bass Concerto. He also won Juilliard’s bass concerto competition, performing Vanhal’s Bass Concerto. During his study he performed with the New York String Orchestra Seminar and the Schleswig-Holstein Musik Festival in Germany. Mr. Trapkus volunteers as a designer and administrator with IMSLP, the online sheet music library.

Juan J. García Jiménez is a musician specializing in contemporary music and improvisation, who lives and works in Mexico City. Since 2012, he is a member of the ensemble at the Center for Experimentation and Production of Contemporary Music (CEPROMUSIC) and since 2018 is part of the faculty at the Music School of the National Autonomous University of Mexico, and the School of Art of Yucatán (ESAY). He has collaborated with orchestras and chamber ensembles internationally and has also developed a career in improvised and experimental music, collaborating since 2001 with iconic characters in the development of contemporary music. His practice stems from studies and practices within the musical tradition combined with a broad foray into new music, prominently in sonic explorations and experimentations. He has also developed innovative teaching techniques that have led him to mix traditional and experimental musical ideas and practices within the classroom.

García studied double bass at the University of Houston under the tutelage of Dennis Whittaker and earned a master's degree at Arizona State University under Catalin Rotaru in 2008. Since then he has fully devoted himself to teaching, performing, and disseminating new music, premiering hundreds of works by composers from around the world with the CEPROMUSIC Ensemble, Liminar Ensemble, and the Low Frequency Trio. Important performances include concerts at the Huddersfield Contemporary Music Festival (UK), The Darmstadt Summer Festival (Germany), No Idea Festival (Austin), the Tate Modern (UK), and the Rothko Chapel (Houston).
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Fred Fox School Of Music

P.O. BOX 210004
1017 North Olive Road
Music Building, Room 109
Tucson, AZ 85721-0004

Email: musicweb@cfa.arizona.edu

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